Category: Paper

In June, I attended the Focus on Book Arts conference, and took Aimee Lee’s class “Paper like leather, Bark like thread: Korean Paper Techniques.” Over 3 days, we were introduced to various traditional Korean techniques of manipulating handmade paper and bark. One technique was jiseung, or paper weaving, which transforms strips of paper into cords that can be twined into all manner of objects, including baskets and book covers, like the one on the left.

First Aimee boiled long pieces of kozo, the inner bark of the paper mulberry tree, which has long and strong fibers. After it was soft, we each got a piece to play with. The picture below is “bark lace,” where the fibers are tweezed apart to make a lacy pattern. Single strands can be pulled off to make thread.

Then we cut parent sheets of hanji (paper made with kozo in the Korean technique) into long strips, and made two-ply cords out of them, by rubbing 2 strips together in our palms. I think we made 16, enough practice to really get the hang of the motions required to twine the strips as well as to get even tension (something I finally got on the last 2 cords). Here are my first attempts…

Then Aimee showed us how weave the cords (using a basket weave) to make “book covers.” In the picture below, I have reached then end of the cover—the non-woven space in the middle is for the spine of the book. As a non-crocheter, non-knitter and non-weaver, this was all a bit foreign. You can see I’ve dropped (or missed) some stitches, but I quite liked the handwork and repetition. Aimee showed us how to make a round basket as well, but I decided to make several book covers instead so I would be able to replicate the weave at home. While the class was working away. Aimee collected up all our scrap cords and made exquisite little baskets—no more than an inch wide, like the ones to the right.

After the cover was done, I decided to cut my bark lace into “pages” and sew them, using the kozo thread, into the spine of the book. A completely hanji book… (I wasn’t quite done when the picture was taken, and that’s the kozo thread hanging off the back)

I like it very much because it is so unlike my other work—the cover is soft and unformed, the inside brittle. It’s not overly thought-out. Aimee told us that Koreans have used paper from books and official documents (with text on them) to weave baskets and animals and other forms, and this got to be a problem because people were stealing important papers to use in the weaving. I’m planning on letterpress printing secrets or poetry on large sheets of hanji, cutting them down, twining them and weaving to see what I get.
Below is the book made by my table-mate Julie. She makes paper and knows how to knit, crochet, and weave. And she makes baskets. This could have been daunting, but she was really helpful when my fingers & brain refused to be coordinated and got me unstuck numerous times. She used her own paper for the inside of her book, and she died the cords with her own handmade dye before she wove the cords.

This summer I’m taking a korean paper making class from Aimee Lee. She takes the paper she makes and knits it into books. Here are a couple to give you an idea of what she’s doing. There are lots more, as well as her other work, on her website.

The table next to mine at Codex was Horse and Buggy Press, from Durham, North Carolina. Dave designed and printed a lovely book of sonnets by Kathryn Stripling Byer called “Southern Fictions.” The sonnets reflect on the racial conflict in Southwest Georgia when Byer was growing up during the Jim Crow era. Dave hand-made some of the paper, including the cover and front piece (below) out of confederate flags. He has a nice blog post about making the paper and printing the book here.