This exhibit marks the culmination of a year-long class dedicated to sustained inquiry into the nature of the artist's book. The class was iven at San Francisco Center for the Book and taught by Emily McVarish and Steve Woodall.

In the SFCB Gallery
June 7 - 20, 2002

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Curator's Statement

Artists
Susan Angebranndt
Kate Godfrey
Rachel Higgins
Maureen J. Hilliard
Jennie Hinchcliff
Ann Marie Hovie
Linda K. Smith
Dina Tooley
Sharon Wynd

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Sharon Wynd: The Talmud: Color Coded, Numbered, Its Layout Revealed

During the early years of the twentieth century many philosophers were engaged in a long quest for the meaning of meaning. By mid-century Willard Van Orman Quine, a Harvard philosopher and logician, had recognized that no exhaustive meaning of a word could be given except in relationship to the whole web of the language in which it is embedded. So it is with a page of the Talmud.

The pictorial quality of a page of Talmud and its decipherment as embodied in its layout piqued my curiosity. My plan was to turn out a simple manual on how to read it. What seemed to appear simple was not to be found in the thousands of pages that constitute the Talmud. Nevertheless, I have opted for the appearance of simplicity.

A page of Talmud constellates a history of the Jewish Diaspora, the Hebrew and the Aramaic language. Hermeneutics is its subtext.

This book was done on 50 lb. Vellum paper; graphics scanned on a Canon Scanner; output on an HP DeskJet 60c.


 

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