Lased

I’ve been wanting to design and make another pop-up book but the thought of all the hand cutting stops me dead. Then several months ago I found a place close to my home that rents time on all sorts of machinery — lathes, mills, fancy sewing machines that do embroidery, and something called a laser cutter. Book artist Julie Chen uses a laser cutter to make her intricate pop-up and layered books.
So I signed up to take a cutter class last Sunday morning. It was exhilarating and scary — the machine can cut and etch (or score) all sorts of materials, from paper to fabric to acrylic to wood. The instructor had even etched names into Triscuits! But you have to be really careful not to catch the material on fire (the scary part) since the cutting is done using heat.
I had a project in mind — a pop-up book that I had designed but set aside because it had more hand-cutting that I wanted to do. After the class I signed up to use the cutter on Tuesday morning. I figured if I signed up right away I’d both finish my project and not forget everything from the class. The instructor gave me some hints about registration (because of course what I wanted to do is covered in the ADVANCED class on using the cutter!) My plan was to print a design on paper that I would then cut into shapes, so the cuts and the design need to line up. A day and a half isn’t much time, so I pretty much worked non-stop getting prepped & ready.
I arrived at the appointed time on Tuesday morning totally over-prepared with lots of supplies and test sheets for set up and enough real printed paper for about 70 books (when I’m planning to make only about 40). And of course I didn’t need most of it. Instead, it was a rather uneventful couple of hours. It all went unbelieveably smoothly — I quickly got the machine set up and I spent the rest of the time inserting paper and watching the laser cut (took 2-3 minutes per 8-1/2″ x 11″ page). (And nothing caught fire!)

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Here’s some pictures and such about my pop-up and the pieces I cut on the laser cutter. My book is called “Fall” and includes this poem by Emily Dickinson. (It’s the last in a series of books I’ve done about the seasons.)

The morns are meeker than they were,
The nuts are getting brown;
The berry’s cheek is plumper,
The rose is out of town.
The maple wears a gayer scarf,
The field a scarlet gown.
Lest I should be old-fashioned,
I’ll put a trinket on.

I wanted a pop-up that illustrated the last line — some sort of fall trinket — maybe a pop-up flower…

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The picture to the left is one of my test sheets in the cutter before cutting. It cuts like a vector plotter (are those made anymore?) — the laser traces the outline of the object as if a phantom hand were drawing it. In the photo on the right, that grayish line is where the laser cut to form the petals for one part of the pop-up. The darker reddish color is the design I printed on my ink-jet. You can get a better idea from the photos below:

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On the left is the petal detached from the sheet. On the right are all the pieces of the pop-up. And here’s a model of the finished piece using the laser-cut parts:

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There’s more work to do… on the background graphic, letterpress printing the poem, and then it all has to be assembled. But the really time consuming hand-aching part is done!

Books on Books: Packaging It Up

packagedesign2.jpgOn my bookshelf I have several books on paper folding. One I especially like for inspiration is Structural Packaging Design — a book of patterns for making boxes and bags and displays. Fight Against InsomniaIt’s one of a series, my friend Cathy has How to Fold which has patterns for making envelopes and folders and brochures. Both books come with a CD of the patterns, so you can easily resize or tweak them. Over the past couple of years I’ve made most of the patterns in Structural Packaging Design, which has quite increased my technique and understanding of folding and 3D structures.
I was reminded of Structural Packaging Design earlier this week when I stumbled on Paper Foldables, a set of free figures that you “Print. Cut. Fold. Tape.” like the sheep to the right.

A Note on the Type

Netherland by Joseph O’NeillThis week I read Netherland, a recent novel by Joseph O’Neill. It’s about, among other things, cricket, and not books. But when I got to the end I was unexpectedly happy to turn to a page that contained only “A Note on the Type” and a wonderful note at that:

This book was set in a modern adaptation of a type designed by the first William Caslon (1692-1766). The Caslon face, an artistic, easily read type, has enjoyed more than two centuries of popularity in the English-speaking world. This version, designed by Carol Twombley for the Adobe Corportation and released in 1990, ensures by its even balance and honest letterforms the continuing use of Caslon well into the digial age and the twenty-first century.

Used to be most books had such notes, wish they still did.

Broken Wood Type and Lead Rules

Dennis Ichiyama’s  “Saving Face 4″Dennis Ichiyama is a former Designer-in-Residence at the Hamilton Wood Type and Printing Museum and currently Professor of Art and Design at Purdue University. Of his experiments with pieces of broken wood type and lead rules, he says “I’m just picking letters and colors and playing with them.” To create his prints, he starts with 25 sheets of paper and then layers colors on top. “When I get tired, when I don’t know what else to do, I stop,” he says. “And by the time I’m done, I usually end up with about 15 that I think are good.” That’s one of Ichiyama’s prints to the left. You can see lots more here. (First seen on Colour Lovers Blog)

Boxes but Not for Books

I love handmade boxes — I’ve made a fair share of my own: a large one to keep the proofs of all my letterpress prints, a clamshell to protect one of my favorite books, a hinged box for a board game I made about my Dad… So of course I was immediately drawn to Maggie Hallam’s boxes, like the pencil box below with a math and number theme. Be sure to check out her Etsy shop, where she has more boxes for various uses.

One of Maggie Hallam’s Pencil Boxes

Book Surgery

Nicholas JonesMy friend Kate recommended that I read this interview with Australian-based artist Nicholas Jones about his book sculptures. (That’s one of Jones’ books to the left.) Kate says “Granted he’s destroying while he creates, but the forms are incredible.” I have to agree — hope you enjoy the interview too — if for nothing else but the pictures of his work and his studio!