The Artist’s Survival Kit

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Keri’s drawing of when you might need her Artist’s Survival Kit

Most Januarys I’m off and running, full of ideas and energy for the new year. But this month I’m dragging and feel more like reading a book than working in my studio. Okay, I did make up new batches of my most popular books for my Etsy shop, but I can’t seem to get started on any newer projects.
Keri Smith to the rescue. This weekend I stumbled across her Artist’s Survival Kit, a set of free downloadable PDFs meant to help you when you don’t want to do art but would rather lie in bed and eat chips. The kit includes a set of “What to do when you’re stuck” cards, lots of tips, and in general will make you laugh — and hopeful, in my case, get me into my studio!

Turkish Mapfold

Summer unfoldingRecently someone who bought my blizzard binding bookmaking kit asked if I knew any other origami-like book folding methods. I immediately thought of the Turkish map fold. You might have seen it used in higher-end folded travel maps. I used it in one of my books — Summer — that’s it on the left, showing the fold opening up.
If you’d like to try making one, my friend David Rosen, who loves folded structures of all kinds, has a PDF with good clear instructions available on his website along with a bit of history and commentary about the technique. You can also see pictorial directions for making the turkish mapfold here.

UPDATE: David’s instructions are no longer available. Click here for directions. Click here to see a summary of instructions on how to make the fold plus several variations and ways to use the fold in a book.

Tools: Tyvek

I’ve collected a lot of little paper scraps over the years, all thrown in a shoe box. I’m finally getting around to organizing them, by color in glassine envelopes I have lying around. I was also in the mood to make a book, and thought it would be fun to construct one with an accordion-fold spine with tipped-on envelopes (I wanted an accordion, rather than a fixed, spine so the book can grow as I add stuff to the envelopes.) There are directions for making this sort of book here. These directions use card stock for the spine, but that probably won’t hold up very well, so I used Tyvek instead.
Tyvek is a water resistant and nearly indestructible material/paper. White Federal Express envelopes are made with Tyvek. New home construction is often wrapped with it. It’s light-weight, doesn’t tear, but is easy to cut with scissors or an xacto knife. And, best of all, it doesn’t have a grain and folds really crisply in either direction. It’s great for spines in bookbinding. I get mine at Kelly Paper, but if you just want to experiment, you can buy a envelope made of Tyvek at an office supply store and cut it up.
The biggest drawback is that it’s a glaringly white color. Printing on it is difficult, but it can be painted with a sponge and water-based acrylic paint. Dampen the sponge, put a bit of paint on the Tyvek and use the sponge to rub out the paint into a very very thin layer. It’ll dry almost instantly. The paper gets a sort of marbled effect.

Painting tyvek

Here’s some pictures of my envelope book. Click on them to see a bigger image. Unfortuantely this book won’t hold very much of my paper scrap collection. But it’s perfect for having some scraps to play with at home, away from my studio.

Accordion spineFront of envelope bookSpine of envelope bookEnvelope book open

Rainbow in Oz

Rainbow in ozI discovered COLOURlovers when I was working out the design and palette for my calendar earlier this summer. They give “people who use color … a place to check out a world of color, compare color palettes, … and read color related articles and interviews.” My friend Kate says she’s been using them lately to open her color thinking and she pointed me to a wonderful article about the colors in the original printing of The Wizard of Oz.
Click on the picture to the left to view beautiful high resolution scans of a first edition of the book, preserved in the Library of Congress Rare Book and Special Collections Division.
Rainbow in ozAnd to the right is one of the palettes you can create on COLOURlovers, this one taken from the colors in that first edition of The Wizard of Oz.

Book Autopsies

Brian DettmerAn altered book is a form of mixed media artwork that changes a book from its original form into something else. I particularly like the ones that leave the book contents somewhat intact, making a sort of derivative work of the original. One of the best known altered books is Tom Phillips’ Humument, created over William Hurrell Mallock’s 1892 novel A Human Document. Phillips drew, painted, and collaged on the pages, while leaving some of the original text showing through.
But to my mind, the best altered books are the sculptural works of Brian Dettmer. He slices and carves into old illustrated textbooks, dictionaries and such to expose images and text. That’s one of them to the left. You can see examples of Dettmer’s work on this blog.

Sewing or stapes?

staples_and_sewing.jpgThis Saturday, I’ll have a table at the Book Arts Jam at Foothill College in Los Altos Hills, CA. So this week I’ve been busy making up books to sell, especially my 2 flip books, A Good Read and Leila, Just Another Day.
I staple the binding on my flip books (see a Good Read on the left), and then glue a cloth strip over the spine to hide the staples. Robin Silberman sews hers instead (that’s her very cute “flip cat” on the left, with the sewing stations) and then covers her sewing with a piece of heavy paper, attached from back to front.
finished_flip_book.jpgSewing is probably stronger than staples and isn’t nearly as lumpy. But I haven’t figured out yet how to quickly and efficiently pierce the holes through the 1/4″ thick book. As it is, I use a pneumatic staple gun to get through all the pages.
You can see the finished books to the right.