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I’m working on a book with an Emily Dickinson poem in it (see my first post here), and thinking about using stained glass windows like the one to the left as illustrations. A double-sided accordion, where you can see the windows from the front and the back, seems like it’s worth pursuing. But what text to put on the back of the accordion? Dickinson to the rescue… The following poem has bird imagery and the same number of stanzas and many em-dashes, so it seems like a good candidate:
“Hope” is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—I’ve heard it in the chillest land—
And on the strangest Sea—
Yet—never—in Extremity,
It asked a crumb—of me.
My current idea is to print the window illustrations on tissue or rice paper, cut holes in the accordion and affix the tissue over the cutout. Light could then come through the “window,” and the illustration would be the same on both the front and back.
Earlier this year, I started a prompt challenge where I used a word a week to inspire some bookmaking. It was a lot of work, and I gave up in exhaustion after a couple of months. But it certainly generated a lot of ideas and led to several new books. Now I’m going to try a different sort of prompt — specific poems.
Bear with me while I get to the poem I’m going to try…. I use em-dash (the long one —) when I write out my haiku, but my set of metal Bembo only has the short en-dash, so when I handset Summer in Vermont, I used periods instead of dashes. This fall I finally got around to buying some em-dashes. In the meantime I started drawing the birds that congregate at the bird feeder in my front yard.
Then my Mom sent me some Emily Dickinson poems, notorious for the use of the em-dash. One poem in particular struck me as perfect for a prompt challenge, as it uses bird imagery and plenty of dashes.
Some keep the Sabbath going to Church —
I keep it, staying at Home —
With a Bobolink for a Chorister —
And an Orchard, for a Dome —Some keep the Sabbath in Surplice —
I, just wear my Wings —
And instead of tolling the Bell, for Church,
Our little Sexton — sings.God preaches, a noted Clergyman —
And the sermon is never long,
So instead of getting to Heaven, at last —
I’m going, all along.
When I think of churches, the first thing that comes to mind is stained glass windows, so my initial idea is to combine windows and bird images — that’s one I did of a bobolink above. I’m not giving myself a deadline on this one, but I’ll keep reporting back as I get more ideas and build models…
What I like about this flipbook by Matt Shlian is that he’s used a transparent paper, so something is happening on the left side of the book as you flip it…
[youtube xSrDnIVgVv0]
When I posted an announcement on the BookArts List about P&P, my Pride & Prejudice pop-up, Karen Hanmer sent me a link to her take on Austen’s book — 3 sculptural works that pair text from the Austen’s novel with images cut from the covers of modern romance novels — Tunnel of Love (a tunnel book), Head Over Heels (a Jacob’s ladder book) and Whirlwind Romance (shown below).
As I set up my table at the Pyramid Atlantic book fair last weekend, several people told me they had tried out the Turkish Map Fold instructions here on my blog. One woman showed me the book she’d made with the fold, using a letterpress & screen-printed map of artist book makers in the DC Metro Area. It’s for sale on the Pyramid Atlantic website.