Jennifer Cartwright’s Seedpod Book

Below is an accordion fold book Jennifer Cartwright calls “Seedpod book.” Dimensions: 4.5” diameter, 22” length (unfolded). Each of the slices is constructed of two circular forms (of wire, hand-made paper, and acrylic) which are sewn to a ring of purple “skin” (made of burlap coated in hand-made paper and acrylic).
Cartwright constructs a skeleton out of wire then “the second major step is to ‘pull’ the wire forms up through a soup-like slurry of handmade paper pulp or, alternatively, to drizzle the pulp over the wire forms using a turkey baster. The wire forms, now encased in paper, are allowed to dry and are then coated with varnish or other acrylic media. Since dry paper is extremely porous and absorbent, capillary action draws the varnish and pigment deep into the paper. Once the varnish is dry, the wire/paper/acrylic forms are durable, waterproof, malleable and lightweight. As a final step, I often sew multiple forms together to create a finished piece.” Below the seedpod book are several other works. You can see lots more in her flickr stream

jennifer-cartwright-seedpod-book.jpg.

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More Fishbone Fold

Alisa Golden has several posts on her blog about the fishbone fold. The first is a variation that has an even fore edge. In her picture below, the results from the original instructions are on the left, Alisa’s variation is on the right.

Alisa Golden’s fishbone folds

Alisa thought the even fore edges make the book more plant shaped. Below is a magnolia she saw and the book she made in response to it. More examples here.

Alisa Golden’s fishbone folds

Alisa Golden’s fishbone folds

Queen of French Knots

Each page of “Persimmons” has a word written in braille, made with french knots. Here’s a partial first page. I used my robocraft cutter to prick the pattern of the braille characters into the paper. Without that, I don’t know if the book would be possible, as the dots wouldn’t line up as exactly if I used another method to transfer the pattern to the pages.

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Persimmon Orange

I’m doing a new book with a poem called Persimmons by Li-Young Lee. Good thing I’ve been designing it while persimmons are in season, as I’ve been carrying one around, using it to match oranges and greens for the paper and thread. I thought I’d found the perfect orange for the cover and box, but the manufacturer isn’t making it anymore. And finding the perfect green turned out to be the most vexing problem. I like the design process a lot, it’s so full of surprises, especially what ends up being sticking points (usually what I think will be an easier part of the process!) Pictured is my final model, using a woven binding developed by Elizabeth Steiner. The poem inside will be letterpress printed.

Persimmons