![]() ![]() |
I’m doing a series of broadsides to experiment with my press, type treatments, and various printing methods. I have a gallery of all my finished prints and broadsides on my website.
![]() ![]() |
![]() |
It’s cold and very windy here today. I’m ready for winter to be over so I can get out for more bike rides. And finding these posters from Artcrank — a poster party showcasing bicycle-inspired original artwork — made me long to be outside even more. They had 2 parties earlier this month in Minneapolis and Denver. You can see the posters from Minneapolis and Denver, and Studio on Fire wrote about printing one of the posters letterpress.
The biggest print I can make on my platen press is about 8×10. I’ve been itching to do something larger, but fitting a bigger press in my shop just isn’t practical. So I decided to try out the Vandercooks at the San Francisco Center for the Book where I teach. These are cylinder presses and I’ve only used them a few times. I arranged to print the same day as my friend Melissa, who had agreed to give me a quick refresher — how to clean the press, differences to watch out for between a platen and cylinder model. I took with me a design I’d done but had trouble printing on my own press — it fits on an 8×10 sheet but the image area is too big to get good ink coverage from my platen. The Vandercooks printed it beautifully — with a nice deep impression, so the Q and V and dot of the I in the prints below stand out. I especially like this design because I got to use the “AND” from the Adobe Wood Type Ornaments! I printed some in 2 different colors and they are available here.
You can see more of Amanda Oaks’ wordy collages in her Etsy shop. She has second shop where she sells poetry chapbooks and small broadsides of her own poetry.
When I teach beginning letterpress at SFCB, I start the class off by asking everyone why they want to learn to print. Many are graphic designers wanting to get their hands dirty by doing non-computer typographic work. But occasionally I get a student like Kim who has no type design background but wants to print for other reasons. Kim learned letterpress printing in order to participate in the Guerilla Poetics Project — a group dedicated to propaging a love of poetry. They letterpress print small (4-1/4″ x 5-1/2″) poetry broadsides that they then insert (smuggle is their term) into books in bookstores & libraries, to be found and enjoyed by the unsuspecting reader. (They encourage you to report finds to their website.)
Last Sunday I gave Kim a private lesson, teaching her the ins and outs of a floor model platen press. Since her first class with me on the tabletop press, she’s taken more letterpress classes and on her own hand-set and printed a small poetry broadside for the Obama inauguration. She brought her broadside to show me along with some other examples, and we spent a lovely morning printing.
Do check out their website… I particularly like the poem and broadside below (the geometry of relationship on the rocks by Justin Barrett).