Unseen Hands

Unseen Hands: Women Printers, Binders and Book DesignersLast weekend I stumbled upon an online exhibit from Princeton University Library’s Graphic Arts Collection called Unseen Hands: Women Printers, Binders and Book Designers. The introduction to the exhibit starts

Women have been involved in printing and the making of books ever since these crafts were first developed. Even before the advent of movable type, there was a strong tradition of women producing manuscripts in western European religious houses. In the Convent of San Jacopo di Ripoli in Florence, we find the first documented evidence, in 1476, of women working as printers. Girls and women were often trained by their fathers or husbands to assist in printing businesses, and there are many instances from the fifteenth to the eighteenth centuries of women taking over and managing these enterprises upon the early demise of their male relatives.

It’s nicely arranged — you can look at the women featured by name, occupation, thumbnails of their work or on a timeline. Links lead you to a short summary of each woman’s work and more pictures.
Pictured above, women setting type at a monotype machine at the Riverside Press, Cambridge, 1911 (seen here).

Fall and Winter PCBA Ampersands

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Yvonne Tsang has taken over editing the PCBA’s journal, Ampersand. The 2 latest issues are now available for purchase.
The Fall 2009 issue includes a 10:1 Scale model of the Vandercook Universal 1 Hand Test Press for you to construct as well as Johnny Carrer’s article, Translating a Complex Fine Press Edition into a Trade Edition, about the process of collaborating with Chronicle Books to produce the trade edition of his fine press book, “Pictorial Webster’s.” See the entire table of contents here.
The Winter 2010 issue includes an article on the origin of the California Job Case and Debbie Kogan’s interview with 3 book artists who make their own paper for their books. See the entire table of contents here.

Sew-on Letterpress Patches

patches.jpgLong ago, my friend Kate suggested that I print fabric patches using my collection of wood type. I think about this from time to time and even bought iron-on patches to experiment on. But somehow nothing ever came of the idea. A printing collective in England, SORT (for “Society Of Revisionist Typographers”) has something even better — several sew-on patches, printed letterpress, with Victorian slang names for types of common rogues: smatter hauler (hanky thief), drag sneak (luggage thief) and tooler (pickpocket). See them all here.

A Story of Character

Ten Years of Tipoteca ItalianaThe Tipoteca Italiana is a private museum devoted to letterpress printing in Italy. To celebrate their 10th anniversary, they produced a picture book called A story of character. Ten Years of Tipoteca Italiana that is now available in English. Print has a review of the book showing lots of book spreads — with photographs of printing equipment, type, and printers — and also talks a bit about the museum. Information about obtaining a copy of the book is here.

A Letterpress Re-creation of the Declaration of Independence

Mindy Belloff of Intima Press in New York City has produced an re-creation of the 1777 Goddard Declaration of Independence with the techniques of its day: set one letter at a time, printed letterpress on period-style paper. (Mary Katherine Goddard — 1738 – 1816 — was an early American publisher and the first American postmistress. She was also the first to print the Declaration of Independence with the names of the signatories.) There’s a interview with Belloff about printing the recreation and setting the type on Felt & Wired.

Letterpress Declaration of Independence