Poets making books

Denise Newman’s bookAs a follow-up on my recent post on Jeannine Stein’s thoughts on what bookmaking means to her, I’ve been looking for comments by other bookmakers. I ran across a set of interviews from 2000, in the journal How 2 called Livres de Poètes: Six poets talk about the books they make. The interviewer, poet and book artist Dale Going, says: "In co-curating, with Jaime Robles, an exhibition in June 2000 at the Berkeley Arts Center called Livres de poètes (femme), I’ve had the pleasure of reading, handling, looking at, experiencing about a hundred such handmade books by poet/book artists whose work balances on the textual/visual cusp. I talked with six artists whose work covers a range of methods, techniques, and intentions." (entire intro to the interviews here.) The poets/bookmakers she interviewed are:

Lisa Kokin (her website)
"I don’t just make books: I also make sculpture and installation art…"

Emily McVarish (more of her work)
"I’ve been really interested in the three-dimensional and mechanical aspects of reading and poetics…"

Denise Newman
"I began making books over a series of summers spent writing on the Danish island of Bornholm…"

Eléna Rivera (website with her poetry)
"I used to write and make books as a child, so for me, making letterpress books was a rediscovery of book making…"

Jaime Robles (read some of her poetry)
"I started working with books when I was fairly young; in college I majored in both English and art…"

Meredith Stricker (one of her books, Alphabet Theater, and see part of the book on GoogleBooks)
"Thinking about my own history of writing, it has become clear to me that it’s not that there was poetry and then there were books; the materials and objects were the poetry…"

Haiku Roadsign Project

AxelArt Roadside Haiku ProjectIt’s been a very warm, dry April in Santa Fe. But May has started windy and cold — it’s snowing as I type this and tonight there’s a freeze warning. The sort of Sunday when I’m inclined, after my morning coffee, to go back to bed with the crossword puzzle, the paper and a good book.
Last year, our first in New Mexico, I ignored our yard, as we were too busy renovating the inside of our house. But now that we’re mostly done, I have no excuse. I’m not much of a gardener, but I really have to do something about the large patch of dirt next to the front door, and the bushes and trees are crying out for pruning. So I’ve spent the last week identifying what we have and how to take care of each one. The web and local nursery have been helpful, but I finally had to admit that my 1980 version of the Sunset Western Garden Book was woefully out of date. So instead of spending the entire day in bed, I walked over to a local bookstore (Collected Works) to see if they had a newer copy. I’ve been there several times for poetry readings, and as luck would have it I serendipitously timed my visit for a reading: “A May Day Celebration featuring Poems on Flowers, Trees, Birds, Bees, and Crawling Creatures.”
As I was paying for the garden guide, I saw a postcard with the picture above, a website address and the title “Haiku Roadsign Project”. Looking it up when I arrived home, I found a kickstarter project for a group here in Santa Fe

We found a charming old roadside sign in need of a new purpose… (Our) project is to buy the sign and curate a series of Haiku Poetry. We will present 2 new poems (one on each side of the sign) each week for four months during the summer of 2011. Automobile passengers, bike riders, and pedestrians will enjoy poetry in consistently unexpected places throughout Santa Fe.

Pretty cool, I think. And despite the cold, made for a very nice end to the week, and an even better end to National Poetry Month.

Pedestrian Poetry

Pedestrian Poetry SeriesTo help me in my search for poetry in every day life, David Brooks wrote a column just for me: Poetry for Everyday Life. He elaborates on the idea of “pedestrian poetry” from Steven Pinker’s book How the Mind Works. Pinker writes that in our speaking we use “everyday metaphors that express the bulk of our experiences.” For instance:

Ideas are Food:
What he said left a bad taste in my mouth.
All this paper has are half-baked ideas and warmed-over theories.
I can’t swallow that claim.

Brooks basically says we are all poets and don’t know it:

Most of us, when asked to stop and think about it, are by now aware of the pervasiveness of metaphorical thinking. But in the normal rush of events, we often see straight through metaphors, unaware of how they refract perceptions. So it’s probably important to pause once a month or so to pierce the illusion that we see the world directly. It’s good to pause to appreciate how flexible and tenuous our grip on reality actually is.

Metaphors help compensate for our natural weaknesses. Most of us are not very good at thinking about abstractions or spiritual states, so we rely on concrete or spatial metaphors to (imperfectly) do the job. A lifetime is pictured as a journey across a landscape. A person who is sad is down in the dumps, while a happy fellow is riding high.

Most of us are not good at understanding new things, so we grasp them imperfectly by relating them metaphorically to things that already exist.

Reading some of the comments to Brooks’ column, I discovered Robert Frost’s 1931 talk delivered at Amherst College Education by Poetry, where he says much the same as Pinker & Brooks. Frost says “Education by poetry is education by metaphor.” and then

Poetry begins in trivial metaphors, pretty metaphors, “grace” metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, “Why don’t you say what you mean?” We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections—whether from diffidence or some other instinct.

Certainly metaphors can be trite as well as ridiculous and laughable (just listen to most politicians), but I’m going to listen to my friends a bit differently this week, as if they are all poets.
{The photo with this post is taken from this blog post about a collection of six painted street crossings in central Johannesburg, done in 2007.}

Piem or Piphilology

Pi Day poster from PointsAndPicasFor National Poetry Month I’ve been noticing where poetry showed up in every day life. Recently in the New Yorker, Calvin Trillin wrote about pi day and mentioned

There is a form of poetry known as a piem, in which pi’s digits are represented by the number of letters in each word. The best-known piem renders the first fifteen digits of pi as “How I want a drink, alcoholic of course, after the heavy chapters involving quantum mechanics.”

Googling “piem” didn’t get me much, although eventually I found the letterpress poster to the left, by Toronto printer Amanda White.
Maybe people use poetry to remember other things? There are mnemonics to remember lots of facts, for instance “Every Good Boy Deserves Favor” to remember the musical notes in the scale. Googling “mnemonic” I got more poetry to remember the digits of pi and then another term for piem: piphilology.