Prompt Challenge: Agglutinate

The word for our group prompt challenge this month was agglutinate:

verb tr., intr.:
1. To form words by combining words or word elements.
2. To join or become joined as if by glue.
3. To clump or cause to clump, as red blood cells.

I went straight for the 2nd definition as it seemed like a good bookbinding term! For 5 years, I edited the quarterly magazine for a book arts group in California. The part I liked the best was doing the layout (soliciting articles, not so much). And I miss the layout challenges. So my plan for agglutinate was to make a zine or small magazine about glue.
Glue is messy, and I tried to incorporate that into my zine. But old habits and preferences are hard to break, and the pages are pretty block-y and standard.
Here’s the cover, followed by the table of contents and then one of the spreads. I did have a good time writing the little articles and thinking about all my own glue messes. Especially the time my husband and I installed a glue-down floor in my studio—the glue was thick mucus looking stuff and, as glue will, it got everywhere. But it didn’t help that I absently stepped on the glue brush in my stocking feet, getting glue all over the floor and in my own shoe.

The Glue Issue

TOC for The Glue Issue

The Glue Issue

Tape Brothers

Pro-Imperial Measurement Tape 1″ x 50ydsTo a Friend Going BlindWhen I was designing To a Friend Going Blind, I wanted to use a sewing measuring tape for the binding. A conventional measuring tape, bought from a sewing supply store, was too thick and too expensive for an edition of 50. Then somewhere I found rolls of tape that looked like a measuring tape. (As a binding it was strong, but a pain to prepare — I had to unroll the tape and apply it to tissue paper first as it had adhesive on the back, then cut the blank top off by hand.) When I packed up my studio in December, I found 1/2 a roll, and carted it here to Santa Fe, although I’m not sure why.
When I found that 1/2 roll, I had already packed up my copy of the finished book, so I couldn’t go back and look at it. And of course I quickly forgot that I wanted to look at it again… until the other day when I read an article in Salon called “The craft that consumed me” where the author mentions making duct tape wallets and says “Check out TapeBrothers.com, which features an extraordinary selection, even my most-loathed pattern of all time after perhaps animal print anything: camouflage.” So I did. The measuring tape tape is filed under “Artist Tapes.” Seems like a good resource to know about. Then I went off and found my copy of To a Friend Going Blind and re-read the poem with a cup of tea.

Yardwork’s Bookcloth

Yardwork BookclothSusan Scott designs and prints her own fabric then turns it into bookcloth that she sells in her Yardwork Etsy shop. (She also sells books covered with her fabric.) In her Etsy profile, she explains her printing process and says this about making bookcloth:

To begin with, the time-honored glue of choice, wheat paste, must be mixed with water and cooked either in a microwave or on the stove. The printed, dyed and washed fabric is then stretched out onto a pane of glass. A thin layer of acid-free wheat paste is brushed over the damp fabric and a very thin sheet of Japanese Mulberry paper, which is cut larger than the fabric, is carefully placed over it. The paper becomes very wet from the wheat paste and can be rolled onto the fabric with a rubber brayer. I allow the fabric and paper to dry on the window frame for around 24 hours. When completely dry, the paper edges are cut away to reveal the fabric edge. The paper and fabric is then easily pulled away from the glass as one combined piece of bookcloth.

Adhesives: Double-Fan Binding

Double fan binding

Quick and easy, the double-fan adhesive or millennial binding is a great solution for turning single sheets into an extremely durable paperback book that opens flat and stays open. Its strength comes from the way the pages are glued, using a double-fanning technique that brings glue just a millimeter or so into the textblock. And its “openability” comes from a pop-off spine that moves independently of the textblock.
I learned this method from notes by Dominic Reilly, who learned it from Gary Frost. Currently conservator for the libraries at the University of Iowa and author of the Future of the Book blog, Frost is renowned for devising conservation bindings based on enduring mechanical features of historic bindings that he has “deconstructed” and reproduced. In this particular structure, he sought not only to protect a book’s contents and ensure that it opened flat for easy reading but also to incorporate such modern materials as transfer tape and Tyvek and accommodate laser-printed copies and production editioning methods.
I’ve adapted this structure for my food & exercise diary and Sherlock Holmes notebooks. It’s good for anything that needs to open flat—like a calendar or day planner. It’s also can be used to rebind a favorite paperback book. While it’s an easy book to make, please note that you’ll need access to a guillotine (stack paper cutter) to give the book a final trim.
Full directions and pictures are available here.

Double-Fan Adhesive Binding Instructions

Adhesives: War and Paste

Mary Tasillo’s War and Paste zine

“Making paste is a lot like making polenta — superstitions about always stirring in the same direction included.

Of course you have to stir twice as long & as hard to make the paste.

Who knew it was so hard to make paper stick together.”

That’s a quote from Mary Tasillo‘s zine “War and Paste.” I bought a copy at Pyramid Atlantic back in November. She works in a paper conservation lab and is the official pastemaker. Mary gives several paste recipes and ruminates on paper conservation including “Mending Paper 101” where she explains how to fix tears. And I thought I had issues with glue — at least I can buy mine pre-made in a bottle!
Mary also edits the Book Arts Classified website which summerizes all sorts of book arts news, including calls for entries, exhibitions, new bookworks and periodicals…

Adhesives: Gluing-up

I have a love-hate relationship with glue. It’s wet, it gets everywhere (although I’ve learned how to keep it out of my hair), and I have trouble getting my brushes really clean. When I’m at my most frustrated I try to reorient myself by remembering a gluing-up demonstration I saw years ago by Dominic Riley — he held the brush and applied the glue with so much confidence and calm. Much like this youtube demo with Peter Goodwin….

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