Shot

bookworksinstall.jpgKate Godfrey and I spent last Friday and Saturday documenting all the books in the PCBA Triennial Members’ Exhibition at the San Francisco Public Library. Kate photographed every book, and I cataloged all the photos (over 100 of them!) — that’s me hunched over a garbage can and Kate’s labtap. It was a long several days and I’m glad Sunday was a lazy day here, as I needed a nap in the afternoon to recover!
When we were all done, Kate took some more snaps of the installation, all the books in their cases. You can see them here. The opening on Tuesday night was quite festive, and a chance to catch up with people I don’t see much.
Next up: taking all the photos and arranging them for the next issue of PCBA’s printed journal, Ampersand.

A Bit of Eye Candy

A few book sculptures and a more practical book-ish idea….

Sarah Mizer’s birdhouse

One of Sarah Rebekah Byrd Mizer’s book sculptures. This one is byrd house, made from books and paint brushes.

Hubertus Gojowczyk’s book sculpture

Book sculpture by Hubertus Gojowczyk entitled Latest News from the Year 1732 and 1733

Book dividers

The website for these isn’t in English, but it’s a great idea for those with too many books, or who, like me, can’t seem to locate particular ones on the shelf.

Bookworks 2008

One reason I belong to the Pacific Center for the Book Arts is their triennial member show at the main San Francisco Public Library — I seem to need the exhibition deadline as incentive to complete a book. This time around (the show opens July 1) I’ve really procrastinated, but finally got going when my friend Sharon & I talked about what we could actually get done before the opening and she convinced me I was much further along than I thought. Today I’ll finish up my entry — which includes the pop-up book I wrote about in this post — and take pictures for my website before sending it off.
Once that’s done I’m looking forward to the best part of the show — the exhibition set-up on Friday& Saturday when I help Kate Godfrey photograph all the books. We did this together for the last show and besides the pleasure of hanging out with Kate, I get a personal look at all the books. Kate does most of the work, mind you, as she’s taking the pictures. As her assistant, I do lots of fetching and organizing and visiting with the other people actually installing the exhibit. And of course the best part: looking at and reading all the entries!

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Lased

I’ve been wanting to design and make another pop-up book but the thought of all the hand cutting stops me dead. Then several months ago I found a place close to my home that rents time on all sorts of machinery — lathes, mills, fancy sewing machines that do embroidery, and something called a laser cutter. Book artist Julie Chen uses a laser cutter to make her intricate pop-up and layered books.
So I signed up to take a cutter class last Sunday morning. It was exhilarating and scary — the machine can cut and etch (or score) all sorts of materials, from paper to fabric to acrylic to wood. The instructor had even etched names into Triscuits! But you have to be really careful not to catch the material on fire (the scary part) since the cutting is done using heat.
I had a project in mind — a pop-up book that I had designed but set aside because it had more hand-cutting that I wanted to do. After the class I signed up to use the cutter on Tuesday morning. I figured if I signed up right away I’d both finish my project and not forget everything from the class. The instructor gave me some hints about registration (because of course what I wanted to do is covered in the ADVANCED class on using the cutter!) My plan was to print a design on paper that I would then cut into shapes, so the cuts and the design need to line up. A day and a half isn’t much time, so I pretty much worked non-stop getting prepped & ready.
I arrived at the appointed time on Tuesday morning totally over-prepared with lots of supplies and test sheets for set up and enough real printed paper for about 70 books (when I’m planning to make only about 40). And of course I didn’t need most of it. Instead, it was a rather uneventful couple of hours. It all went unbelieveably smoothly — I quickly got the machine set up and I spent the rest of the time inserting paper and watching the laser cut (took 2-3 minutes per 8-1/2″ x 11″ page). (And nothing caught fire!)

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Here’s some pictures and such about my pop-up and the pieces I cut on the laser cutter. My book is called “Fall” and includes this poem by Emily Dickinson. (It’s the last in a series of books I’ve done about the seasons.)

The morns are meeker than they were,
The nuts are getting brown;
The berry’s cheek is plumper,
The rose is out of town.
The maple wears a gayer scarf,
The field a scarlet gown.
Lest I should be old-fashioned,
I’ll put a trinket on.

I wanted a pop-up that illustrated the last line — some sort of fall trinket — maybe a pop-up flower…

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The picture to the left is one of my test sheets in the cutter before cutting. It cuts like a vector plotter (are those made anymore?) — the laser traces the outline of the object as if a phantom hand were drawing it. In the photo on the right, that grayish line is where the laser cut to form the petals for one part of the pop-up. The darker reddish color is the design I printed on my ink-jet. You can get a better idea from the photos below:

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On the left is the petal detached from the sheet. On the right are all the pieces of the pop-up. And here’s a model of the finished piece using the laser-cut parts:

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There’s more work to do… on the background graphic, letterpress printing the poem, and then it all has to be assembled. But the really time consuming hand-aching part is done!

Boxes but Not for Books

I love handmade boxes — I’ve made a fair share of my own: a large one to keep the proofs of all my letterpress prints, a clamshell to protect one of my favorite books, a hinged box for a board game I made about my Dad… So of course I was immediately drawn to Maggie Hallam’s boxes, like the pencil box below with a math and number theme. Be sure to check out her Etsy shop, where she has more boxes for various uses.

One of Maggie Hallam’s Pencil Boxes